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Detroit, Michigan, United States
I'm a punk rock guru from Detroit. Part skinhead, part crusty, part metalhead, part hardcore kid, part party kid, 100% punk rocker.
Showing posts with label lil michelle. Show all posts
Showing posts with label lil michelle. Show all posts

Wednesday, December 14, 2011

Not Just Boys' Fun- by Lil Michelle, Heart Like a Lion booking

“Not Just Boys’ Fun”
by Lil Michelle – Heart Like a Lion Booking

In most cases, gender is irrelevant. Some cases in which it might apply are when considering that different people have different points of view, or sexual attraction. Gender certainly has no bearing, however, on a person’s musical talent, ability to organize events, dedication to supporting bands, or genuineness as a person. Having a penis doesn’t necessarily give a person better skill, loyalty, or depth of character.

That it does, however, seems to be a commonly-held belief among guys in the metal scene. Don’t get me wrong, I love dudes. Most of my friends are male, and some guys are even pretty fun to sleep with. From my personal experience, I don’t see the misogynistic attitude from guys in bands, many of them are great people and great to work with. The problem seems to come from guys who attend the larger local shows. According to their treatment, having a dick means they automatically know more than me, even though they know nothing about me.

Their view of women at shows seems to fall into one of two categories: either they’re “a band member’s girlfriend/wife” or they’re “just out to try to fuck a guy in a band.” There’s nothing wrong with dating a guy in a band, regardless of whether the woman is into the scene on her own accord or not, we like who we like. And nobody is “just somebody’s girlfriend/wife,” they’re people who are worth trying to get to know. If they suck or have no personality, it is what it is, but that assumption can’t and shouldn’t be made right off the bat.

As for trying to get laid by a dude in band, there truly are some girls who do that, they’re easy to spot at shows by the way they act. I’ve never understood that, as whether a guy is a musician has no effect on whether I find him attractive, but I guess these girls feel they are nobodies by themselves and can become “somebody” only by injection. Pathetic.

I read an article on a metal site that was written by a different girl, about this same topic. She stated that women should go out of their way to “prove” they are truly into metal. Such as mosh, headbang, always wear band shirts, and make a point to talk to guys about music. She then went on to talk about how she can get away with all kinds of shit and get any guy to do what she wants because she has a vagina.

In my opinion, that’s even more sexist than the male point of view I discussed above. Many of us got into metal/punk/whatever because we didn’t identify with the way mainstream society wanted us to be. Why create “rules” in a subculture full of people who didn’t want to “follow the rules?” I say we rock out to bands the way we want, wear what we want, and talk about what we want, and that goes for both female and male. If a person is real, he or she doesn’t feel the need to prove anything, genuineness is evident from his or her actions and character.

Women are people, and should be treated as such, unless individuals give people reasons not to do so to those individuals. Women who play music get less support, get called “posers,” and get their looks and attractiveness discussed much more often than their talent or sound. Sluts are glorified and worshipped, while real and true supporters of the scene are dismissed and excluded. There is absolutely no reason to assume without knowing anything about her, that somebody deserves less respect. Metal is a brother and sisterhood, whether some people want to accept it or not. All the talk I hear about “brotherhood” comes out sounding like “we don’t want evil vaginas at our sausage party.” Think about it. The idea of “unity in the scene” can’t happen until the notion that one gender is better than another, is seen as the ridiculous and antiquated garbage that it is.

Get Over Yourself- by Lil Michelle, Heart Like a Lion Booking


Get Over Yourself
by Lil Michelle – Heart Like a Lion Booking
Nobody wakes up one morning and is suddenly a millionaire rockstar with a band that’s huge.  To have a great reputation as a band takes talent, hard work, and many connections forged.  In my eyes, my overall opinion of a band isn’t based on only their sound and musical skill, but also the way they act.  A band’s character and conduct have a strong influence on their reputation and popular opinion of them.  Therefore, being good people is almost or maybe even equally important as being good musicians and having a good sound.

With that being said, I’ve noticed a growing trend in the scene: bands refusing to book with DIY promoters but being eager to open for national acts.  Of course it’s every musician’s dream to open for their favorite band, and there’s nothing wrong with that.  There is, however, with acting like playing shows with local bands or out-of-town/out-of-state bands that aren’t as big, are beneath them.  The saying “act like you’re hot shit and people will think you’re hot shit” is true.  However, if a band is brand-new and nobody knows them, there’s no basis on which they can expect people to think that about them.  Bands that have been around for many years, have put hard work into putting themselves out there, have released albums and are possibly on a label, and have a kickass sound and large fanbase do have a right to be more choosy about what shows they play.  As do newer bands that contain veterans of said bands.  For the purpose of this article, exclude bands that fit these cases, as I am not talking about them.

There are bands that have members who are younger, do not attend shows and are not part of “the scene,” and never play shows all year until whatever national act is coming to town.  They try to act like they’re a big deal while they essentially do nothing.  These bands generally suck anyway, and any show offers from a smaller promoter are 99% of the time blown off, or on the rare occasion, they will respond but make up an excuse to turn them down each time.
What they don’t realize is that if they haven’t built a reputation in the local scene, they’re just another opening band that will provide a nice break to go outside and smoke before the national act people came to see goes on.  If a band that has done said hard work opens the show, lots of people will watch them, and that band being on the lineup will give people additional reason to attend.  On a side note, a band can most of the time expect little to no pay for opening for a national act.  The shows that make bands money are the local shows that draw.  That is because the bands have fans and got the word out about the show, which the sort of bands I’m talking about don’t do.

Bands that are down-to-earth are my favorites to work with and my favorite bands in general.  A little bit of humility goes a long way.  And if a band is the shit, they don’t have to act arrogant and try to make people think they’re the shit.  They simply just are who they are.  It’s not possible to become “big” by having a generic sound and not doing anything, yet thinking one is entitled to this or that.  “Big” doesn’t just happen spontaneously, it’s built up by a lot of “small” over a period of time.  The “likes” on Facebook that you begged/bought don’t count as having a fanbase either.