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Detroit, Michigan, United States
I'm a punk rock guru from Detroit. Part skinhead, part crusty, part metalhead, part hardcore kid, part party kid, 100% punk rocker.
Showing posts with label california. Show all posts
Showing posts with label california. Show all posts

Tuesday, September 1, 2015

Skaven- Discography review

Skaven- Discography review
Crusty west coast sludge dirtier than almost anything of its time, Skaven’s small but sinister discography is a precursor to the American crust bands of the modern era.  Raspy, somewhat discernible vocals, clear but still animalistic in energy, were not a common vocal type, but went on to be used fairly frequently.  The guitars, though dirty and tuned down to emphasize heaviness, still possess enough drive to be “punk”, although this would not succinctly describe Skaven’s sound to any but the most unfamiliar of individuals.  The bass is blended into the overall guitar sound well, but there does remain some distinction between them, the former having a very punchy sound.  The drums, though the driving force of the overall sound, are not set in their speed, speeding up and slowing down all over the songs.  The overall mix is excellent; everything is distinct, clear, well-blended, and alters as is appropriate for the atmosphere of the sound.  This is also a mix of the dirty punk and metal primitivism and the unending artsy and melodic complicated-ness, as hardly any bands had done before this.  The lyrics are much the same- at times primitive, other times artsy, and often mixed together.  Too bad this band only lasted for a couple of years- these songs rip and could have evolved only further.  If nothing else, this reminds me slightly of the evolution of His Hero Is Gone into Tragedy.

-Aunty Social

Wednesday, March 26, 2014

Zero Progress- The Void EP review



Zero Progress- The Void EP review
Classic hardcore punk influenced by the legends and the initial purveyors of the genre, but still managing to put a unique aesthetic and vibe to the entity of the bands, this EP is one hundred percent USHC.  It’s catchy, fast, and stagedive-able to the max.  Or, put more concisely, THIS is fucking hardcore.  Nothing complicated, deviant, or experimental about this, and maybe that’s not such a bad thing.  For all the uniqueness that bands strive for in an attempt to find their own sound, sometimes simplistic, bare-bones, in-your-fucking-face hardcore is all you need.  This… is that.  These are the champs.
-Aunty Social

Friday, November 29, 2013

Impulse CV- Chula Violence EP review



Impulse CV- Chula Violence EP review
Loud, limited in length, and Latino, Impulse’s 2nd EP is classic west coast powerviolence in the vein of No Comment, Capitalist Casualties, Los Crudos, Siege, etc.  The production on this is stellar- the guitars, drums, and vocals are all particularly powerful and all stand out in their own way- though this often comes at the expense of the sound of the bass, powerviolence is usually more drum and guitar-oriented than bass or vocal-oriented.  This is very much a flying of the old-school flag that Slap-A-Ham helped found- though this isn’t anything now, this sure feels like a modernized version of classic bands (i.e. if bands back in the late 80s/early 90s could get into better studios and record with better equipment), and that is fucking gnarly.  It’s not new, it’s not old, because it’s the classic old sound with new faces, a perfect Taoist harmony of the two.  Circle pit and under a minute (for every song).  I approve.
-Aunty Social

Wednesday, February 13, 2013

Nails- Unsilent Death 12" review



Nails- Unsilent Death 12” review
I’m a little late to the party on this one, but this record required a review.  This is quite possibly the angriest band I’ve ever heard- powerviolence, grindcore, death metal, punk, hardcore, all rolled into one ball of dough to create one absolutely delicious cookie, baked with chips of anger and hate, the dough crafted from pummeling energy and a short list of other ingredients for a recipe to make “fucking angry”.  Though they are what one could call a ‘hyped’ band, this is one of the rare bands deserving it.  The only appropriate way to listen to this album is after a month off medication, a week alone, and a baseball bat all to one’s self.  This is vandalizing music- property should be destroyed to this record- alternatively, if one can locate a known rapist, child molester, or Nazi skinhead, this also makes for fine music to have at a boot party.  This is what happens when heavy, angry, pissed-off hardcore bands get good production and still sound just as angry, if not moreso, than their lower-echelon contemporaries.  This group deserves whatever praise they can get, even if a douchebag football player you hated in high school discovers these guys and starts rocking their hoodies.  Instinctual music for both simple and complicated people- this record won’t ever let you down.
-Aunty Social

Thursday, September 20, 2012

Devastation- Rebel Streets CD review



Devastation- Rebel Streets CD review
I didn’t now street punk still existed- it seemed to explode in the mid-2000s, and now it has all but died off almost entirely.  One band has kept the faith, however; Devastation, a group out of southern California’s suburbs.  This music is an 80s hardcore/ street punk hybrid playing punk as I have always seen it- honest, optimistic (sometimes too much so), raw, and of the more undesirable social creatures that litter the world, albeit necessarily.  Some songs stand out a little more than others, but for the most part, this record doesn’t have a “hit” or “signature” song.  The music’s fun, worth the listen; it’s different kids doing the same thing bands in the 80s were, with a few cultural changes.  Nothing wrong with that.
-Aunty Social

Saturday, January 28, 2012

Devastation- The Pit EP review


Devastation- The Pit EP review
What an oddity- an anarcho punk band that learns more towards being fun, funny, and still remains serious about the lifestyle of the skeptic.  Yes, a particular Twin Cities band is especially known for this, but this band isn’t on Profane Existence; in fact, it is not on any label, to my knowledge.  However after to this EP a few times, Profane better pick these guys up!  This record/ cassette/ CD/ digi-release/ whatever-it-is rules, hard.  The record is definitely a product of the times, in a humorous way; “Vietnam, Nom, Nom!” is surely a reference to the LOLCats internet meme that many (myself included) find to be most amusing.  This song is the first, and the protégé of the whole EP, representative of the tongue-in-cheek self deprecation this generation is becoming known for, for better or worse.  This is pretty sweet for an EP; as far as I’m aware, it’s a free download and hasn’t been pressed, so download it and rock this shit.
-Aunty Social