About Me

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Detroit, Michigan, United States
I'm a punk rock guru from Detroit. Part skinhead, part crusty, part metalhead, part hardcore kid, part party kid, 100% punk rocker.
Showing posts with label england. Show all posts
Showing posts with label england. Show all posts

Thursday, January 24, 2013

Deviated Instinct- Liberty Crawls to the Sanctuary of Slaves LP review



Deviated Instinct- Liberty Crawls to the Sanctuary of Slaves LP review
Contrary to most crusty albums I listen to, this one starts off kind of slow, almost like a British version of Xibalba.  The intro to “Blunt Instrument” is absolutely pounding, almost sounding like a hardcore band.  As the song progresses, deep growls are uttered over metallic riffs that ring almost like a cooler, non-hick version of Pantera.  Slap a west-coast hardcore band name on this and kids will go nuts- even as Deviated Instinct, it’s killer, and people should mosh to this.  “Architect of Misery” is definitely more along traditional crusty lines- galloping riffs, downtuned guitars, and ominous vocals.  The slower pace is better for the band, as some of the intensity is much more accented because of it.  “Thorn in Your Flesh” has the heavy hardcore feel once again, and despite my constantly comparing this band to modern hardcore band that are really, really heavy, these guys were doing this in the late 80s, so it would be no surprise if Harm’s Way or Xibalba jammed some Deviated Instinct at least once in the band members’ lives.  This band puts more energy into the guitars, however; the modern heavy hardcore bands put the oomph of their sound into the drums and the vocals.  “Blandscape Slavebait” begins with a splice of an audio snippet that sounds like a busy train or subway station and a distant acoustic guitar, then a melodic guitar strums away before the singer grunts and growls through a mid-tempo punky tune.  For the chorus, an alternate vocalist snaps in as well.  This song really only has two parts- not a very captivating song, and a confusing one as well.  “End Times” has a slightly faster pace and crunchier guitar, almost like the anarcho/ crust version of “Ain’t It Fun”- this was a real punisher.  Closing out this crusty record was “Judas Cancer”, a hardcore-sounding song that is not unlike Axegrinder, but actually enjoyable.  There are multiple instruments playing their own parts here- I really dug this track.
Not the most explosive release of the year, but a fair LP for the average punk.  Crusties will eat this up, hardcore kids will make fun of them for it, and the world spins ‘round.  A respectable release- not time wasted.
-Aunty Social

Wednesday, November 28, 2012

The Destructors- Sex & Drugs & Rock & Roll CD review

The Destructors- Sex & Drugs & Rock & Roll CD review


A rock record that, while alright, is a little too self-aware for me.  It’s like a punk record that sings about being punk, or a hip-hop album that raps about making beats.  Outside of that metaphysical aspect, this is more of the garage-y punk sound that is somewhat unique to this band.  Nothing that really stands out as great, but the track ‘Sex in Chains’ is downright painful to listen to, to the point of where thinking about the song’s topic causes one to lose any potential boner/ wetness/ arousal because it will remind one of the truly awful chorus.  It’s also just plain blasé to sing about rocking out in 2012- some political and personal topics never lose fuel over the years, but rocking out is a song topic that needed to die a long time ago.  Rhyming is good, the mix is balanced, and the sound is pretty much crystal clear- not all bad news here.  Worth getting a burned copy or borrowing, but a great album it is not.  Passable is more like it.
-Aunty Social

Beverley Kills/ The Destructors- split CD review



Beverley Kills/ The Destructors- split CD review
This starts out reasonably well- I was surprised.  The first three tracks are by Beverley Kills, and this reminds me of a slightly more poppy version of Vice Squad- the singer of this band has a little less snot and a little more tone to her voice.  Actually, it’s kind of enjoyable.  The music is mostly the same, although I hear some Anti-Nowhere League in the basic sort of street punk-y sound Beverley Kills has.  The mix is clear, the lyrics are decent, I would like to see what this band has in store for the future.  There’s a lot of potential for them, especially if it’s grittier and less professionally recorded next time around.  The Destructors’ songs are mid-paced fuzzy punky garage rock from Britain- somewhat of a sound of its own, but nothing to go nuts over.  These are pretty much standard fare for Destructors’ songs- nothing very good or bad, just unnoteworthy.  Unfortunately, they had to following a surprisingly stellar band like Beverley Kills, and couldn’t keep up.  Oh well- better luck next time, fellows.
-Aunty Social

Thursday, May 3, 2012

The Destructors- Media Studies CD review


The Destructors- Media Studies CD review
Catchy, anthemic, Oi!- influenced street punk at its finest.  I can see going out for a round or two at the Painted Lady and having this play in the background.  I think this is probably what politically informed punks listen to on the way to the pub- not a bad thing at all.  It’s got a nice little jig to it, and it’s audibly pleasant.  Reading the lyric sheet is another story, however; this is some poetic prose preaching politics (and how it can relate to people like us).  Not a reinvention of the wheel, and no need for one, with what this music is.  For those who don’t like NPR (I myself fucking hate the radio), this will do well as pleasant-sounding informative background music.  Also, big thumbs up to the guy who mixed this.
-Aunty Social

Wednesday, March 7, 2012

The Destructors- 11.11.11: In Memoriam CD review


The Destructors- 11.11.11: In Memoriam CD review
I got this initial package from overseas sometime after I got back from Mid West Hellfest in May 2011.  How shocked I was to receive something from the other side of the Atlantic; this was the fourth such package I received from the band The Destructors.
This record was decent, but outside of a couple of good songs, this is a pretty normal street punk album.  I didn’t hate it, but it seems like a toned down version of the likes of Blitz, the Anti-Nowhere League, and the Virus.  It’s not as heavy or speed-driven as a lot of other punk often is; where it does succeed, though, is in the directed, pointed political messages carried forth by the band.  They are a more radio-friendly (whether the band likes it or not) dissident voice in the age of black-and-white politics.  For this, I give much due credit to the band.  For the music, I am not as big a fan.  Still, ‘twas a fine effort.
-Aunty Social

The Destructors- Pow! That's Killmusik! CD review


The Destructors- Pow! That’s Killmusik! review
These guys have semi-regularly been showing up in my post office box with a fairly presentable CD, and this marks the fifth one I’ve received so far.  I don’t know if bands are supposed to get markedly better as time progresses, but it seems that this is a slight regression.  The politically-inspired Oi!-leaning punk jig style sported by the Destructors has its charm, but I was left a little unimpressed this time.  I imagine that the band is trying to follow a theme of sorts with their releases, being more of a loudspeaker for political values than musicians- and there’s nothing wrong with that.  I commend those who are able to speak up with their own form of dissent, but from a musical perspective, I didn’t like this record much.  Good for educating oneself on “the issues”, but for music of this kind, stick to Blitz or Icons of Filth.
-Aunty Social