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Detroit, Michigan, United States
I'm a punk rock guru from Detroit. Part skinhead, part crusty, part metalhead, part hardcore kid, part party kid, 100% punk rocker.
Showing posts with label demolition. Show all posts
Showing posts with label demolition. Show all posts

Friday, October 23, 2015

Demolition- World Gone Mad 7" review

Demolition- World Gone Mad 7” review
It’s cliché to say the demo is better than the EP/LP, but here it rings true.  The raw production compared to the slick one on this is the difference.  This IS a very clean sounding hardcore record; the songs all have distinct instrument sounds, as opposed to a wall-of-sound where everything is more or less lumped together.  The songs are there- I can hear the energy in the performance, but it feels like something got misplaced in the shuffle between performance and this recording.  It’s clean-cut mid-to-fast tempo modern hardcore, with a very cool layout and great artwork, leave your doubts behind there.  I have a feeling that some of the imperfections the demo had were boiled out on this recording, and although I believe it is those same imperfections that make hardcore and punk what it is, the record itself is still not bad.  This being said, it is these imperfect people who decided to go their own way, not take society’s shit, and make the music that only weirdoes and freaks enjoy.  I can’t knock that.

-Aunty Social

Thursday, May 3, 2012

Demolition- Demo 2012 review


Demolition- Demo 2012 review
This is youth crew done fuckin’ right- I can’t get enough of these four songs.  Gritty, somewhat raw production is a big factor in why this demo rules so hard.  The vocals are distant and strained, yet remain laced with enough general misanthropy to be a real punk record, and not some jock hardcore production.  In a more close relation to original youth crew, the lyrics are very catchy, quotable, and are the picturesque set of words to accompany a live gang pile around the mic during a set, with twenty or thirty people singing at the top of their voices.  Another benefit of the more unpolished production is that the guitars, bass, and drums sound a lot more like a punk record than a “hardcore” one (hardcore here meaning breakdown-laced, heavier, slower, varsity font punk), and there’s something to be said when a band so influenced by these sorts of bands still pulls off the energetic slam dance-styled punk rock.  If there’s a new band to jock, it’s this one.  Stage dives and high-fives forthcoming.
-Aunty Social