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Detroit, Michigan, United States
I'm a punk rock guru from Detroit. Part skinhead, part crusty, part metalhead, part hardcore kid, part party kid, 100% punk rocker.
Showing posts with label electronic. Show all posts
Showing posts with label electronic. Show all posts

Friday, November 29, 2013

Drose- A Voice 7” review



Drose- A Voice 7” review
This slab o’wax is straight up STRANGE- sort of a mix of many genres.  The first song is an instrumental kind of industrial noise with a slight incline towards noise rather than music- weird, but good.  The second song “My Face” is like loud industrial, possibly gothy rock, if the imagery were different.  The record sleeve/cover isn’t indicative of any goth style, at least that I’m aware of.  Still, this song is a very catchy, semi-danceable number- soothing in the way that loud music probably should be.  “A Cry” continues this post punk/industrial/dancewave vibe- very simple vocals and drum rhythms, grindy guitars, and crunchy bass sounds; it sounds like postmodern cyborgs fucking in the back room of a gothy nightclub- one is hard pressed to turn down something like that.  “Knuckle” keeps the vibe going, but seems more like noisy no wave music, being largely devoid of structured music, but still having female vocals sing and give a purring sort of howl in the background- interesting.  For those who like City Club’s soundtracks and those who like their shit way off the beaten path.  I was truly surprised that I liked this, and even more than I happened across it.  Ka-ching!
-Aunty Social

Wednesday, December 14, 2011

Midwest Waste- Four song demo review

Techno, digital hardcore, house, electronic…  Where one begins and another ends, I don’t really fucking know.  Enjoyable electronic music is what this demo is- a partnership of highly entertaining electronic…music.  A mix of funny, pointed commentary on modern culture and digital music expertise, this is one of my favorite pieces of local music, for both reasons.
First is a song called “Adderall Lavigne”, a dark-ish tune about the wonders of being on Adderall all night long, an experience I am all but familiar with.  It’s an anecdotal annotation of club life and being pumped on speed while the rest of the world sleeps.  The mix of different kinds of digital noise is a rather interesting, euphoric experience; main musician Mike Burridge is a master of his art, no doubt.  The next song is “OH! HOE!”, a social critique of the blatantly promiscuous and mentally disingenuous women peppered around the earth (with notable bases in California and New Jersey).  Singer/ secondary musician Lisa Jones takes a contrary stance to these aforementioned “hoes”, deriding their stupidity and vanity as the disgrace it is.  There is also some hip-hop influence, with the line “wastin’ all your flavor while I’m tastin’ snow” incorporating this influence most directly.  It’s also a definite Midwest product, using the line “stripper accidents, they happen all the time”, a reference to an urban legend known primarily to Detroiters.
After this was third song “Supermoving”, the most eclectic and strange song by the group yet.  It is an upbeat and happy tune, no doubt, but I couldn’t tell you for the life of me what it’s about.  I’m guessing it’s like a lot of the early 2000s pop rap that was on the radio- it’s just a word used only in the specific context within which it’s given by the narrator/ singer.  In other words, it’s a made-up term defined by the meaning given to it by the person who made it up.  Strange to the nth degree, but I still got down with the beat of the song; I’d be lying if I said I didn’t dig it.  Lastly was the song “Scone Party”.  I had to look up exactly what the fuck a “scone” is, and truth be told, I’m still not entirely sure.  It looks like some bagel or pastry treat from the U.K.- fucking weird.  How one has a party surrounding this food, or even tells someone “We’re goin’ to a scone party, you’re not invited” and expects disappointment from the recipient of the message befuddles me.  I wish the song had more lyrics and better expressed the meaning behind the song; however, the music is addictive, almost reminiscent of some Sega Genesis video game music (namely Streets of Rage 3, for anyone who remembers that old-ass game).  Being a fan of some old video games and the music that came from them, I really enjoyed that incorporation into the sound.
It’s the weirdest and best piece of non-punk I’ve come across in a long time.  Get your hands on this demo ASAP, and spread it to your local dance club.  Maybe some non-hipsters will begin their infestation of the clubs; we can only hope.
-Aunty Social

Bubblegum Octopus- The Album Formerly Known As 8-Legged Dance Moves review

Usually I strive to cover punk from Detroit and Michigan, but occasionally, other genres, different bands, and groups from other cities warrant sufficient notice from me, and deserved attention from readers; this is one such occasion.  I’ve never understood why, but along with punk, I tremendously enjoy electric music (Nintendocore, 8-bit, techno, whatever M.S.I.’s genre is called, etc.) and the work of Bubblegum Octopus is one of the highest points (no pun intended for video game lovers) for electronic music yet; though not perfect, it is definitely damn near.
I may as well clear out the potential negativity immediately; the lyrics are irreverent and bizarre to the nth degree (which may be good or bad, depending on who you are) and the lyrics are lacking in the packaging.  Though not relevant, I still like to what the lyrics are attempting to communicate.  However, these minor shortcomings are far overshadowed by the unique blend of styles of music, with an overtone of electronic punk-y goodness.  In at least a few songs, it sounds like Koffin Kats front man Vic Victor is singing portions of the lyrics (in a few parts of the songs sung in…baritone?); strange indeed.  Otherwise, the vocals usually alternate between a false falsetto/ high-pitched style and a deep death-metal-growl style.  The pace is always changing- it goes anywhere from mid-tempo to powerviolence-beat fast.
On top of all of this, the music is highly inspirational; the factors of how and why remain a mystery to me to this day, but it matters not.  The music is undoubtedly some type of an osmosis device, influencing listeners beyond the point of just listening.  Personal anecdotes are not relevant to this review, but it is safe to say that this record has influenced me to think differently, act differently, exist differently; barring any of that, this album is the ADHD sufferer’s greatest dream.  It’s energetic, fast, continuous, the lyrics aren’t too deep, and every bit of the sound is in a state of constant flux.  Do some speed and enjoy.
-Aunty Social