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Detroit, Michigan, United States
I'm a punk rock guru from Detroit. Part skinhead, part crusty, part metalhead, part hardcore kid, part party kid, 100% punk rocker.
Showing posts with label hoax. Show all posts
Showing posts with label hoax. Show all posts

Tuesday, March 12, 2013

Hoax- 3rd EP review



Hoax- 3rd EP review
Fuzzy, mid-tempo, angry as FUCK hardcore from western Massachusetts.  The vocals are raspy, desperate, rage-filled short blasts of the ugliest thoughts imaginable.  The guitar buzzes along, being the background noise for the words the singer spits.  The bass is the low end of the buzzing saw, though it is a sound created independent of the guitar, distinct but barely so.  The drums usually just plug along, alternating between sludge-metal slow or punishing punk rock fast.  It’s hardcore punk as it should always be.
“Discipline” is the slogan song of the record, consisting of only a few lines- Joseph Goebbels once said that the key to successful propaganda is to take a piece of a complicated issue, simplify it to one’s advantage, and repeat, repeat, repeat.  That’s what this song does, and it teaches a self-reliant, independent, efficient mindset, an important one to have.  This song never picks up the pace, instead slowly trudging along to clearly communicate its point.  “Fantasy” is a complex psychological tale of how the mind works in the land of the unreal- an experience we all undoubtedly have had both on and off drugs.  The beat is very similar to the first song, but it does pick up the pace at times.  The words truly have to be read to be understood- they are a real mindfuck, especially as the singer spews them with all the venom of a king cobra.
“Stuck”- the tale of our lives being individuals, fuck-ups, and losers.  Again, the song plugs along at a slower pace, but it never needs to pick up- the sincere frustration and frivolity of life is easily understood at a slower pace- this is the most brutal, intense, pissed-off song on the record.  “Free the Land” is another odd tale, but it is the fastest of the songs on the record- it is about freeing the world of nature from its owners, mankind.  Interestingly enough, it isn’t a direct, poised attack on man, but a subtle suggestion done with all the vigor of one who is posing a direct attack on man for his actions.  A killer tune, though not as much so as the rest on the album.  Perhaps I will come around.  Still, it is by no means weak- it is a fucking ripper.
This is my current favorite band- lyrical relevance, the vocal driven sound done over top of the fast/ mid-tempo speed of buzzsaw hardcore.  Count me in as a rider on the fan bus for this band.  A fantastic EP through and through.
-Aunty Social

Wednesday, November 28, 2012

My Friends, the Pit Fest III: Indianapolis, IN September 7th-8th show review



My Friends, the Pit Fest III:  Indianapolis, IN September 7th-8th show review
Though a musically prosperous weekend, it was truly a weird experience, mostly due to members of Bald Pig (though it was no fault of their own; they were just being who they are).  Nonetheless, everyone was nice, and the experience was an excellent one- truly a sign of what could be in Michigan.  The basement was very small, not much bigger than that of hometown basement venue the Halfway House.  Traffic was crowded (people, not so much automobiles), but it was well worth the discomfort.  However, the show got a bit of a false start, as the rain that Friday night (September 7th) was pouring rather heavily…
First on were the Zodiacs, local garage-influenced hardcore punk group (local to Indianapolis, not MI).  Though very short and hard to judge, it was not unlike Kommie Kilpatrick and their weirdo, short, punky blasts of old-school hardcore.  I’d like to hear more.
Next was Overpower, a very heavy, angry, local powerviolence band.  Mind Eraser, Spine, and Lack of Interest come to mind- though these guys are a little more tuned down than the latter.  Also a short set, this was alright, but the meathead mentality the singer gave off was more than a little off-putting.  I like a pissed-off singer as much as anyone, but I prefer the guy who’s mad about something real, and the line “Buy the Spine 7” or you’re FUCKING DUMB” clued in he was not.  Oh well- a small mind merely means that there is room to grow.
Then, No Master started playing.  Forty seconds into their first jam, the torrential rainfall got the better of the electrical system, and the power went out.  The show was unfortunately done for the night.  We missed out on the Inservibles and a few others.  Luckily, most of the bands just adjusted the schedule to play the next day- phew.  After finding some solace at a local punk house where I was allowed to sleep (by no small help of a man named Asman- thank you!), I witnessed much in the way of a weirdness foreign and inexplicable to me- I did get to watch Aliens, however; it was a minor plus in an otherwise bizarre evening.  I woke up the next day reinvigorated and explored the town a bit.  After finding little to enjoy, I burned time until the show had to start at 6 (by reading a national road map, Animal Farm, trying to sleep, and watching the locals act out their very dramatic lives).  Though the time crawled, I managed to make it ‘til the start of the show.
Opening was thrashy local youth crew, Blind Justice (whom I, and I’m sure others, had initially mistaken to be the band from the same name from New Jersey).  Much like the Zodiacs of the night before, this set was over with in a matter of about eight minutes- as opposed to the low-fi hardcore the latter band had, this was straight youth crew in the vein of Straight Ahead, a harder-edged 7 Seconds, and maybe a little Infest.  In that eight minutes, they crammed in probably about as many songs as there were minutes, barely stopping in between- just how punk ought to be played.
Next was Side FX, the local band whose members helped organize the show.  Again, a less than ten minute set, played with unwavering fury.  This is basically 80s hardcore with a modern twist- modern hardcore mixed with the bands of old like Siege, Deep Wound, early SSD, and the like.  Intense and straight to the point.
Civilized, from Denver, went on next.  They mixed newer, slower hardcore with older, faster hardcore, though after a couple of songs, it didn’t seem to fit, and I traveled outside to get my merch buying out of the way.  I didn’t hate it, but I wasn’t taken in very much by it, either.
Next was Bald Pig, a new-ish contemporary of the Kansas City group Spine.  The vocalist went a bit nuts as the band raged, spewing out words as he seemed to lose all self-control, crawling on the floor for some very cool reason.  The powerviolence was strong in this hardcore band- the image of Pantera’s “Vulgar Display of Power” would be far more fitting on this band, because that’s all one would want to do while this band’s music is playing.
After that was the band Mugger, from Columbus, Ohio.  I cannot, for the life of me, remember what this band was like.  I can recall no particular unpleasantries about them, and they jammed a few righteous tunes, I’m sure.  They have a demo tape floating around in a few distros.
No Master joined the party, following this.  This band is absolutely influenced by the D-beat, studs, and spikes sorts of bands, but they came off as being more or less a simple hardcore band, breakdowns and all.  Now that’s a fusion I’ve wanted to see done well, and No Master is undoubtedly the first band in a long, long time to do that successfully.  This set did not have its power cut abruptly, and the band raged for a good fifteen minute set- one of the better displays of the night.
Spine was after this.  Though a band incurring some hype in the hardcore community, they have deserved it, and put on a quick ten to twelve minute set of powerviolence-laced hardcore, that either flew by at breakneck speed or crawled at a snail’s pace, heavy as shit.   This was also the release show for the band’s “Subhuman” EP, which was nabbed by many a showgoer (myself included- review forthcoming on that one!).  A band one could call “hard”, but still enjoyable for being fast as well.
Following was Negative Degree, a hardcore band in the vein of all the poorly-recorded hardcore bands of the 80s (that we all know and love).  This was the band that really got everyone moving for the rest of the show, and it was exciting to see all these hardcore kids who knew all the words to this band’s songs (despite them not being on any kind of “big” label, and being all the way from Denver), dancing to them the way I’ve always remembered mosh pits being- that is, like a bumper car ride, but with a bunch of lanky kids hyped on a mixture of excitement, energy, and either the straight edge, caffeine, or booze, depending on the fans’ personal indulgence preferences.  Hardcore as it should be, no doubt.
Cadaver Dog was next.  I can’t remember much about this set either, but the vocalist was good at being scary as fuck.  By this time, I think I had mostly lost my mental composure waiting for Hoax to play.
The Ropes were the next band.  This band reminded me of early 90s hardcore, along the lines of Strife, maybe a less political Earth Crisis, and the like.  However, they had some faster verse parts with regard to the music, as opposed to being all chugga-chugga.  The basement packed to near capacity for these guys, and even form the near-back of the room, I could see the crowd was hype on these guys.  I enjoyed it, but I was all too eagerly anticipating the next two bands, Hoax and Salvation.  Still a good set.
Next to last was Salvation.  All I knew about these guys was that they shared members with Hoax, and that was enough to get my attention if only for a moment.  However, after the band got started, they had my attention MUCH more firmly.  This was hardcore punk for the psychopath- fit my slightly deranged persona well.  Despite not being overly heavy, the intensity was akin to a house fire burning three stories high, heating and simultaneously destroying all around it.  The singer was as unbalanced as I’d ever seen any singer, from H8 Inc. to Hoax to G.I.S.M. and back.  Finally, when they got to their last song “House of the Beating Hell”, I realized this was the theme song for deranged, deviant, distorted minds- it was a song that made me want to hurt people, in the best way possible.  It was truly transcendental.
Closing was Hoax, who set off the entire room when they started.  Damn near the whole crowd knew all the words to their songs, and screamed them loud as the singer raged in his trademark insane way.  Not since I witnessed a set by Hellmouth in February 2010 have I been afraid of a vocalist onstage- this man is a kindred spirit for sheer unbalanced genius (not that I’m a genius, but I like to think I have relatively unique perspective above the minds of others).  The music is bone-crushing, brutally angry low-fi hardcore punk with the bleakest lyrics ever written, sung/screamed over the anthems.  The band must have blasted out every single song in their discography, aside from their trademark anti-homophobia song, and the crowd could not have been happier with this.  This is one of the most important bands of modern hardcore, and time will show them to be one of the higher-echelon bands of all time as well, I believe.  Simple, yet so extremely, unshakably intense and angry- this is the one band whose show I would be happy to get face-punched at.
That was the end of the show at the I.H.O.P. (International House of Pitting, not the delicious restaurant chain), but there would be an after-show with Negative Degree and the Ropes at a pizza parlor a bit further down into the city.  After picking multiple brains to learn the address of the place (why did so many people get there, yet no one seemed to know the address itself), I finally got it and drove down (again, thanks Asman!).  The show was just getting set up as I walked in, so I grabbed a few tasty slices of pizza as the bands set up and the crowd arrived one by one.
Negative Degree went on first.  Though doing a few songs they had done at the earlier show, they did a few odd songs one wouldn’t expect, including a cover of “Ain’t No Feeble Bastard” that made me overjoyed, because I didn’t expect at all to hear an 80s hardcore band cover Discharge (usually, it’s all D-beat bands who bow at the throne of the band)- it was very welcome.  The crowd was much more spread out, and noticeably moved around that much more.  It was cool to see this many punks in one room, a pizza parlor lobby, dancing around like lunatics.
The Ropes followed, and also did a few odd songs, and tricked the crowd into thinking they were gonna do “We Gotta Know”, because they played the intro part, then cut into a different cover song I didn’t know- still gnarly anyways.  After the set ended, I talked to a few of the locals and the guys in Negative Degree, and nabbed a cheap hotel for the night (being around that many people for so long had me feeling claustrophobic as fuck).  The next day, it was a long drive back home, but seeing as how I got to eat at a Waffle House and see the variety of farming fields along the freeway, I wasn’t too bored.  Lessons to be learned from this trip:  Find a place to stay with friends if at all possible, even if it’s awkward, and it sucks traveling more than two hours by one’s self.
-Aunty Social

Hoax- First EP (a.k.a. ‘Fagget’) 7” review



Hoax- First EP (a.k.a. ‘Fagget’) 7” review
This is some of the angriest music I’ve ever heard.  This is the modern, self-loathing, nihilistic version of Discharge- intense, brutal, simple, and absolutely without compromise.  ‘Fagget’ is the sort of song fans would scream for, hate mosh to, and destroy their voice bellowing the lyrics with almost as much rage as the singer.  It’s about the consequences of bullying people with a particularly invective homophobic epithet, and rather than the music being fast, it is mid-tempo, and absolutely crushes.  (writer’s note:  This is the kind of song that if KING wrote it, this would be the song that would set off the crowd)  This song is so angry, so blood-boiling, so vicious that it feels good.  ‘Endgame’ is a continuation of the mid-tempo theme, and this time is about losing, presumably in life.  One is liable to end up with a very bloody nose by the end of this song.  ‘Dead Weight’ is about the burden of depression and the treatment methods that might come with it.  It rings too true of the crushed hope often following a treatment that is not effective enough, or in this case, completely backfires and makes one worse.  (writer’s note:  I myself have had experience with this, and it is all but true- when medication for an already depressed person doesn’t work, the patient often gets worse because they expected to improve, and they didn’t, and this feeling only worsens when said meds backfire)  There is undoubtedly a level of annoyance experienced when one says “I feel like shooting myself today” when said person is merely having one bad day, and this person has yet to realize what that feeling is like on a daily, weekly, or even monthly basis.  ‘Leech’ closes out the EP, and is about, you guessed it, a one-sided relationship where one gives and the other takes, with the parasite clearly dependent on the host for the taking.
This EP is the soundtrack to the self-annihilation of one person.  You will find this record playing in the bathroom with a suicide victim and a plugged-in toaster.  Death is not swift.
-Aunty Social