About Me

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Detroit, Michigan, United States
I'm a punk rock guru from Detroit. Part skinhead, part crusty, part metalhead, part hardcore kid, part party kid, 100% punk rocker.
Showing posts with label drunk. Show all posts
Showing posts with label drunk. Show all posts

Wednesday, December 14, 2011

Band profile: Swine Flu


The band started not in its current location of Detroit, but all the way on the West Coast in the Bay Area city of Oakland, California.  It started with bassist James “Juvie” Palmer and Dan “DMT” Mahler.  The band made their way around the Bay Area, even befriending famous 80s hardcore band Verbal Abuse, who also reside in that area.  Some shows, a rough demo, and a year or two later, both the founding members moved back to their metropolitan hometown area of Detroit.  In short order, Swine Flu picked up drummer Phil Warren and guitarist Brian Weisserman.  Here is the stable line-up that would sustain the band for six months to a year.  In June-July 2011, they added female vocalist Emma Pestilencia to their line-up, which where they currently stand.
The band, while having multiple songs written and pretty much perfected (including Abortion Survivor, All Cops Have AIDS, Nuclear Holocaust, amongst others), has only an old demo with a former line-up recorded.  The band, though very tight musically (when sober and relatively drug-free), is in need of a push for merchandise, imagery, and higher-quality recordings.  However, on the plus side, the band has played many shows in the Detroit area, playing with bands such as State, Seeker, the Ratfinks, and others, primarily local bands.  This is a band who has put their time into the local scene, and they deserve the recognition that comes with having imagery and good merchandise.
This band’s sound is a fusion sound, not exactly able to be pinpointed into one genre other than punk rock.  It has dual vocals (usually an anarcho punk/ crust approach), extraordinarily high-octane pace guitar (usually a fastcore/ thrashcore technique), and the songs are short, sweet, and cynical, (a standard hardcore approach).  Somehow, metal influence seeps its way in; there are a few leads, a few breakdowns, and recognizable riffs.  Whether one calls it crossover thrash on PCP or Drunk & On Drugs thrash punk, it’s the Swine Flu sound.
The band is poised to take off in a Hellmouth-like way; they have paid their dues, they have the ability to rage a show, and they know exactly what they want to sound like.  They are also trying to add a second guitarist to see if it can complement their sound; despite this mild turmoil from a change-up, the hard part of starting a band and getting a band going is over.  It’s time for Swine Flu to smell the bacon, grind the gears, and fly into action!
-Aunty Social

Disposable Society- Drink N Fight review

There’s a thin yet distinct line between bar punk and party punk:  One is that annoying background noise that reeks of failed dreams and nonexistent ambition, and the smells of whiskey, weed, and wanderlust.  Bar bands don’t do jack shit except play the local bar, write a few songs, and maybe put some money towards an album.  Party punk is just plain old misanthropic punk, often mixed with intoxicating substances; one genre has potential, the other shits all over ambition and kills any existent potential.  All in all, party punk can go places, not just the local bar or some hometown show space.  Disposable Society, despite consisting of members who are heavily anchored down in Michigan, is one of these so-called “party punk” bands; it’s angry, bitter and discontent enough to be more than just another bar band barking the same tired shit.
The sound of this band is heavily influenced by Detroit punk from the 80s (the even do a Skraps cover; nice shout-out!) and some harder British punk like Blitz, Discharge (then again, everyone loves Discharge) and GBH.  It has gang vocals, sing-along choruses, and hometown shout-outs that resonate of some hometown pride akin to that of Detroit and Pittsburgh, where there’s pride in a place no one else sees a reason to have pride in.  The vocals are rather raspy and rough around the edges, perfect for this hoodrat style of punk rock.  Drums are mid-tempo; not fast and not deficient in speed.  The guitar and bass rock well enough for this unusually tight UK 82 influenced style of punk.  I didn’t bust a load listening to this, but I did hear some fucking gnarly hoodrat punk rock.  Worth the cash, definitely worth a listen.
-Aunty Social