Hollow
Earth- We Are Not Humanity tape review
Heavy metal-tinged hardcore not
unlike Shai Hulud or maybe a less brutal Earthmover (and with a higher-pitched
singer, though that’s an advantage here), Hollow Earth’s first record starts
off with a clean, menacing guitar piece that transitions well into the first
song, which has metallic riffs played over mid-tempo 90s hardcore with somewhat
fast drumming. The shrill sounds and sharp
words from singer Steve are features setting the band just a little apart from
their contemporaries- the angry yet soft sound not fully dominated by
self-loathing or hatred, but instead on intelligent critique is the distinctive
beacon the band has. They make use of
the two-guitar setup that is often merely two rhythm guitars layered one over
the other; here, there are a couple of non-dominant but present lead breaks in
addition to the traditional chugging chords of hardcore. The lyrics largely focus on a thoughtful,
albeit disparaging analysis of humanity as a destructive species, which are
higher echelon than the average band.
The first four songs (The Great Forgetting and On the Bounty of Gods are
sort of one song) are distinguishable, but still seem homogenous when divided
up- in other words, it sounds like a single piece composed of several parts
rather than several different, non-related songs- the last song, however, is
separate, seeming to serve as the epilogue to the story being told, and is also
notably much slower-paced; it is here that the band’s record title is uttered
repeatedly “we are not humanity”. The
riff that began the record also seems to play it out- everything comes full
circle.
All in all, I’ve never been that into metallic hardcore, but this is pretty instrumentally sound, insightful, and tight record with an overall good story. Definitely one of the better bands doing this sort of style right now.
All in all, I’ve never been that into metallic hardcore, but this is pretty instrumentally sound, insightful, and tight record with an overall good story. Definitely one of the better bands doing this sort of style right now.
Post-review note about the tape
release of this record: the packaging is good, the songs are actually listed on
the tape as well as the back, but there are no lyric sheets. I can’t stress the importance of lyric sheets
in any band’s release enough- it’s important to know what the band is actually
singing about without having to discern the notoriously cacophonous vocals that
anything related to punk has.
-Aunty Social
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