Interview with Dylan Walker of Full
of Hell
1. When did you guys
form as a band? What was the scene like then? How did the band come to form?
What influence, musical and philosophical, did you share?
The band formed in 2009 and I joined up with them at the end
of that year. At that time I'm not really sure what the scene was like as a
whole. I wasn't entirely aware of things in the same way that I am now. I think
it might have been a little cooler in central PA. I remember seeing a
Converge/Pulling Teeth show that was insane in Harrisburg.
As far as shared influence within the band, I'd say Spencer
and I bonded right away because we enjoyed the same extreme music and wanted to
create the same thing in the long run. Philosophically, we seem to overlap on many
things but that was not what brought the band together in it's current form at
all.
2. How did you wind
up coming across A389 records? Did you submit your stuff or were you found by
Dom? Do you still like your older work as much as your new stuff?
We found out through the grapevine that Dom was a fan of our
7"s. We just sent him an email and he suggested doing an LP together.
Personally, I can't say I enjoy our older material as much anymore. I still
appreciate it and I'm not ashamed of it or anything. I just feel like we've
fleshed things out quite a bit more at this point.
3. How do you feel
about the hype you've accumulated? Do you think it attracts new and different
people or is it people that show up who aren't really in it for the music? Not
that that's any detriment to you, but it is peculiar to see that such a
cacophonous band has become a big name in the underground.
It's hard to really notice if there is any "hype"
or not. That's the funny thing about it for me. I would assume and hope that it
attracts new and different people as well as people that may not have a true
interest at heart. I'm always fascinated that so many people enjoy what we're
doing. As time wears on, we definitely attempt to create harsher textures with
the music, but people have stuck around. I appreciate it.
4. How did you get on
Maryland Deathfest this year? Who did you see that you liked? Did you get a
decent reception from any fresh, out of town faces?
We were asked by the guys that run the festival to play. It
was a great honor and definitely something that I'd dreamed of being a part of
someday. I'd like to think we got a good reception. It felt like a really cool
set. Not a game changer, but absolutely awesome.
5. What are your influences lyric-wise? Reading
the liner notes to Rudiments of Mutilation, I would say that they are very
interesting, but can be confusing. (Also - side note/ sorta off the record: are
you a med student or do you just have an interest in anatomy and literature?
You're far better written than I am.)
I'm influenced by everything in my periphery, like everyone
else. All mediums of art, in particular of course, other song writers. I'd say
the biggest influence outside of literature would be human experience. Nothing
really inspires you or horrifies you more than when you are a part of something
interconnected, that's right in front of your face. ( I'm not a student. I like
to read and I love the english language. I feel like single words can define
entire songs so i'm always trying to find that word.)
6. What is Baltimore
like as a city and a scene? What bands would you recommend from the area?
Venues for possible touring bands to play? the east coast feels like a daunting
place for midwest bands.
I'm not actually from Baltimore, nor do I live there, so my
experience is limited. From what I've seen Baltimore has a pretty long legacy
of hardcore punk and metal. The best band in Baltimore right now is Noisem. As
far as venues, there is no go to all ages spot anymore, as I'm not sure how
often Charm City Art Space even has shows or if anyone goes there anymore. The
Barclay House, Golden West Cafe, Ottobar and this K-Pop club called Club K (get
it?) have all been having good shows for some time.
7. How have your
musical influences changed since the start of FOH? Has it expanded, refined,
narrowed or increased? Has it influenced the band and it's music at all?
Absolutely. We've thankfully kept our minds and ears wide
open for the past few years and I would say have refined and increased what we
listen to. I feel like I've come full circle back to everything I liked when I
was really young, and it's come full tilt into what I've grown into as an
adult. It has absolutely effected the band. We are finding ourselves so much
more comfortable with the idea of incorporating what might not be accepted by
people that enjoy our band, simply because we want to do so.
8. What advice would
you give to a band of youngsters who want to form a band or just started one,
but are unsure what to do? Is touring, playing out, setting up your own shows,
promoting oneself as hard as it seems? What should someone do to get his
or her name out there for the unsuspecting masses?
I would say that if you are not passionate and not obsessed,
it will not work for you. It's always going to be like beating your feeble
hands against a thick brick wall, but you just need to pick yourself up and
keep trying. You can't resign yourself every time you fail, because you are
going to fail over and over again. The obsession and passion is what has kept me
interested for years. I get so much enjoyment out of simply performing live and
writing music that I don't even care where we are most of the time, as long as
there's a show that day. I've had that feeling since I've been like 13 years
old. You need to be obsessed.
Promoting yourself is hard and sometimes feels cheap. I
think with couth and hard work you can manage to accomplish something. You also
need to know the music you are playing and have a genuine need to play it, not
just because it's what's cool this year. It's easy to tell when someone is just
shape shifting through current trends. Play what you like and keep your nose to
the grindstone. That's what I'd say.
9. How do you feel
about cassettes as a music medium? Are they dead/on life support, or just
perceived as such?
I like cassettes. It's an interesting discussion because I
feel like it's totally a dead format, but that's almost the point. Noone
releasing a tape is making money off of it. So generally, the only people that
will put tapes out will be people that genuinely give a fuck about their music.
I like that labels won't really touch tapes. Fuck the labels. It feels like a
people's medium to me. Maybe not, but that's the way I see it.
10. What are your
thoughts on the new-found Entombed/Nails worship that many hardcore and metal
bands seem to be taking up lately? is it cool or just repetitive?
I get it. I think that maybe there could be far worse trends
to come into style. There are some bands that come to mind that are really
killing it with scandinavian influence but overall I feel like it's very forced
and boring. So, cool or repetitive? A bit of both, as with everything else.
Maybe right now since it's still such a big thing, there might be a little less
of a balance with quality.
11. Do you follow
sports at all, or no? Why or why not?
Nah, it just never interested me. Dave and Brandon from FOH
like Baltimore teams.
12. What are your
views on respective scenes you've toured and seen recently? Any places in
particular popping off aside from your hometown?
There are a bunch of areas doing sick things. I think the
one that needs to be noted the most is Florida. I think that state had a bad
reputation for some reason, but noone realizes that that state is absolutely
killing it with bands and that the shows are amazing. We always have so much
fun down there and there are so many talented bands and people. A lot of
respect for all of them.
13. What would you
say is your greatest accomplishment as a band? How did it come about, how did
you do it?
Hard to say. I consider it a great accomplishment to have
been to Europe 4 times, 5 times by this coming June. It's easy to make things
happen in a community of people that genuinely care about music. I want to try
and keep the band in that kind of circle. Another accomplishment that comes to
mind that is more specific would be playing alongside some of our favorite
bands at 305 fest in Miami a couple years ago. It was a huge deal to see
Bastard Noise, Noothgrush, Iron Lung and Dropdead and be able to play alongside
them.
14. What do you feel
about politics nowadays? Does it have a place in the music scene or is it
something to leave out of music and save for another time?
I'm not apolitical, but I do feel like I have an amalgam of
beliefs that don't really put me into either major US party. Sometimes I'm
sadly apathetic about what's going on in our country and the world beyond. It
most certainly has a place in the music scene. There are many examples where
punk should absolutely be a vehicle for social and political change and
backlash. It should also be a place for people to not give a fuck and destroy
themselves. It's your world!
15. What's on the
horizon for Full of Hell? I know you're on tour now, but do you have any new
songs or projects planned out for when you return?
I've lined up some tours for us in 2014 that have me very
excited. We are pretty much just touring with bands that we respect and are
huge fans of. We are starting off with an east coast trip alongside Brooklyn
black metal band, Mutilation Rites. We have a split coming out for record store
day with someone we are fans of, and later this year a collaborative LP with a
true legend, and it's something that I am still in disbelief about. It's gonna
be a nice year for us, I hope.
16. Anything else
you'd like to add?
Thank you for this interview David! Listen to Jarhead
Fertilizer, Purge, the Body, DOC, Fucking Invincible, Sokushinbutsu, Column of
Heaven and Joanna Newsom.
